Stunning Domino Concept Art from Deadpool 2 by Aaron McBride

Stunning Domino Concept Art from Deadpool 2 by Aaron McBride - McBride's Artistic Process: From Sketch to Screen

Look, when we talk about concept art, especially for a character as visually distinct as Domino in *Deadpool 2*, we're really talking about the bridge between a few scribbles on a page and what ends up on the big screen. I always wonder about that first spark—you know that moment when the artist actually sees the final look in their head before the Wacom tablet even warms up. Since the specifics aren't floating around easy to find, we have to fill in the blanks based on how this stuff usually works, which is always a messy, iterative journey. Think about it this way: Aaron McBride didn't just wake up one morning and know exactly where Domino’s white streak needed to fall or the right texture for her tactical gear; it’s a constant series of edits and approvals. It starts rough, maybe just capturing that essential attitude—her cool, slightly detached vibe—with a few quick charcoal lines, if he’s working traditionally first, which I bet he is, at least initially. Then comes the digital heavy lifting, transforming that initial sketch into something that works with the camera's eye, dialing in the color palette so it pops just right against the chaotic background *Deadpool* thrives on. We’re watching the story being built visually, frame by frame, long before the cameras roll. Honestly, that whole transition from raw idea to production-ready file is where the magic, and the real slog, happens.